Performance event highlighting music and traditions from Taiwan’s Caribbean diplomatic allies is scheduled for Friday, Feb. 27, at the Pier Garden (渡船頭啤酒花園), organizers announced.

The installation joins other large-scale inflatables already positioned in waters near the Kaohsiung Music Center (高雄流行音樂中心), including a 15-meter Ultraman Tiga and a full-size classic Ultraman figure. The newly unveiled version, a smaller “Q-style” character, was revealed in the Third Ship Channel (第三船渠) and drew strong reactions from visitors watching from the waterfront.

Under this scenario, Taoyuan would function as a northern spillover hub absorbing industry and population growth, Taichung would consolidate its role as a central Taiwan manufacturing and livability center, and Kaohsiung would emerge as a southern gateway tied to industrial upgrading and international connectivity.

By KHT Staff KAOHSIUNG — Twenty-six hospitals across Kaohsiung will remain open during the Lunar New Year holiday, maintaining 24-hour emergency room…

An exhibit of the “Tentacles” art attack series by Filthy Luker and Pedro Estrellas is now on display at Kaohsiung’s Chengcing Lake Tourist Center.

Beyond long-established destinations such as Cijin (旗津), Cishan Old Street (旗山老街), Sizihwan (西子灣), and the Pier-2 Art Center (駁二藝術特區), several newer attractions — including Guoling Park (果嶺公園) and the newly opened Senye Wildlife School (森野動物學校) in Neimen (內門區) — will welcome holiday crowds for the first time.

By KHT Staff TAIPEI — Pingtung County has launched a long-term initiative to secure “Dark Sky Community” certification from DarkSky International, with Sheting Village (社頂部落)…

In two recent incidents, sparks generated during the garbage compaction process led to smoldering inside the trucks. Prompt action by sanitation workers prevented the situations from escalating into fires.

By KHT Staff via KH City Govt KAOHSIUNG — Houjing Park (後勁公園) in Nanzih District has reopened following a major redevelopment, unveiling…

The centerpiece of the 2026 program is a major autumn retrospective of British conceptual art pioneer Michael Craig-Martin, marking his first large-scale solo exhibition in Asia.